Résultat pour “English speaking ?”

Publié le 15 Juillet 2008

The page in English seems to be "looked at" quite often ; it's too difficult for me to make a new version as often as I should, so there is no actualisation

If you need some information in English, and if your translator is not sufficent, do not hesitate to send a question in the "comments".

I'll try to answer you. It will not be perfectly written, but hopefully it will be help you.

Voir les commentaires

Rédigé par monik

Repost0

Publié le 15 Juillet 2008

  Hello

If you like, or want to discover digi-scrap (picture arrangements), you will find some suggestions here. 

Studio-Scrap is an easy to use software that you can try (and purchase). I do not earn anything if you buy it, so feel free in your choices ! In this blog, you will find ready-to-use models for this software, as well as PNG masks for others, and some explanations
(mine, and links to other blogs). They are free for your personal use.

 

I created this blog only a few months ago, but I decided to use the calendar on a somewhat broader basis for a pleasing visit, according to me at least.

It's not a huge gallery of travel, or even of photos, but simply an invitation to scrap through short walks . The new pages will remain at the beginning of this blog for a few days and then will be added into the previous month's,  according to their subject. Click at will on the links in blue text, to discover what is hidden !

Except on this page, all the texts are in French, but the models are ready to use without needing any explanation. However, do not hesitate to request any help, I can translate some explanations into English or Spanish.

 

2013 and 2014 : strolls and rambles

The models are illustrated with pictures taken during some journeys here and there, in France

 Some pages are dedicated to the city of Tours and the Touraine , and some will lead a little bit further in Region Centre , or to the Pays de Loire,

We will visit  Brittany,  and some of its islands

and also the Perche (in Normandy), and also Paris

 

and we'll travell also  in the United States Ireland, or London

 2012: Nature

Nature itself is beautiful, so some models are just illustrated with plants and trees, or with animals.

2011: Family

For a change, I also used some family photos, first cries, first steps , childhoodteenage years  (to respect their privacy, adults are masked). Scrapping is only a game, sometimes my imagination breaks reality  !

 

2012: Technical hints - only in french, sorry !

All links to blogs that fascinate me, and most of the tutorials (although some remain scattered here and there), as well as links to those other scrap bookers are available on 2012.  I tried to take into account the level of difficulty :

First, some general hints, and basic information to get started with Studio Scrap and some enhancement exercises.

I also added links for some free additional softwares, easy to use, and information about the use of masks.

Finally, you will be able to create simple special effects, before tackling more impressive ones.

Hello

If you like, or want to discover digi-scrap (pictures arrangements), you will find some hints here. 

I “work” with Studio-Scrap, an easy to use software that you can try (and buy)  .  You will find ready-to-use models, as well as PNG masks for other software, and some explanations ( mine, and links to other blogs ) . They are free for personal use. I created this blog there is less than a year, but to facilitate travel between the pages , I decided to use the calendar on a somewhat broader basis

Do not dream , it's not a huge gallery of travel, or even photos, but merely an invitation to scrap through short walks . I will let the new pages a few days ahead of this blog, then I will integrate them to the previous months, according to their subject. Click at will on the links in blue text, to discover what is hidden !

 

2013 and 2014 : strolls and rambles

The models are illustrated with pictures taken during some journeys here and there, in France or elsewhere.

Some pages are dedicated to the city of Tours and the Touraine , and some will lead us a little bit further in Region Centre , or to the Pays de LoireBrittanyPerche , and also Paris

Nature itself is beautiful , so some models are just illustrated with plants and trees, or with animals.

2011: Family

For a change, I also used some family pictures, first shouts, first steps , childhoodteenage years  (in these, my personages are masked, respect for privacy !). Scrap is only a game, sometimes my imagination breaks reality  !

 

 

2012: Technical hints - only in french, sorry !

Here you will find all links to blogs that fascinate me. Most of the tutorials (although some remain scattered here and there), as well as links to those other scrapbookers are available on 2012. I tried to classify the level of difficulty.

First, some general hints, and basic information to get started with Studio Scrap and some enhancement exercises.

I also added links for some free additional softwares, easy to use, and information about the use of masks.

Finally, you will create simple special effects, before tackling more impressive ones.

This page seems to be "looked at" quite often ; it's too difficult for me to make a new version as often as  I should, so there is no actualisation

 

If you need some information in English, and if your translator does not help sufficently, do not hesitate to send a question in the "comments", I'll try to answer you. It may not be perfectly written, but hopefully it will be helpfull.

Voir les commentaires

Publié dans #English

Repost0

Publié le 29 Juin 2008

c'est quoi le scrap ? ,,, description ICI, et réponse en image de Martine,  par ICI

- pour démarrer avec Studio ScrapInfos techniques

Pages de Scrap (le début du voyage !)

For information in English, click here

En Español, la información esta aquí

 

Le calendrier du blog, c'est ICI (publication octobre 2008)

Voir les commentaires

Rédigé par monik

Publié dans #PLAN DU SITE

Repost0

Publié le 1 Février 2019

mise à jour mai 2020

Concernant le site Arbres Remarquables, je ne peux actuellement pas donner de liens vers les pages consultées, le site étant toujours inaccessible.

Les photos étaient publiées sous licence Créative Commons (voir logo en bas à gauche), comme celle-ci par exemple 

Image enregistrée sur le site Arbres Remarquables de Bretagne, en novembre 2019

 

je ne sais pas quelle version de licence avait été choisie, seul le "cc" étant visible

copies d'écran du site Créative Commons

 

 

               

 

SIL OPEN LICENCE

Celle qui semble la plus utilisée pour les polices de caractères

extrait 

texte intégral ci-dessous

This license is copied below, and is also available with a FAQ at:
http://scripts.sil.org/OFL


-----------------------------------------------------------
SIL OPEN FONT LICENSE Version 1.1 - 26 February 2007
-----------------------------------------------------------

PREAMBLE
The goals of the Open Font License (OFL) are to stimulate worldwide
development of collaborative font projects, to support the font creation
efforts of academic and linguistic communities, and to provide a free and
open framework in which fonts may be shared and improved in partnership
with others.

The OFL allows the licensed fonts to be used, studied, modified and
redistributed freely as long as they are not sold by themselves. The
fonts, including any derivative works, can be bundled, embedded, 
redistributed and/or sold with any software provided that any reserved
names are not used by derivative works. The fonts and derivatives,
however, cannot be released under any other type of license. The
requirement for fonts to remain under this license does not apply
to any document created using the fonts or their derivatives.

DEFINITIONS
"Font Software" refers to the set of files released by the Copyright
Holder(s) under this license and clearly marked as such. This may
include source files, build scripts and documentation.

"Reserved Font Name" refers to any names specified as such after the
copyright statement(s).

"Original Version" refers to the collection of Font Software components as
distributed by the Copyright Holder(s).

"Modified Version" refers to any derivative made by adding to, deleting,
or substituting -- in part or in whole -- any of the components of the
Original Version, by changing formats or by porting the Font Software to a
new environment.

"Author" refers to any designer, engineer, programmer, technical
writer or other person who contributed to the Font Software.

PERMISSION & CONDITIONS
Permission is hereby granted, free of charge, to any person obtaining
a copy of the Font Software, to use, study, copy, merge, embed, modify,
redistribute, and sell modified and unmodified copies of the Font
Software, subject to the following conditions:

1) Neither the Font Software nor any of its individual components,
in Original or Modified Versions, may be sold by itself.

2) Original or Modified Versions of the Font Software may be bundled,
redistributed and/or sold with any software, provided that each copy
contains the above copyright notice and this license. These can be
included either as stand-alone text files, human-readable headers or
in the appropriate machine-readable metadata fields within text or
binary files as long as those fields can be easily viewed by the user.

3) No Modified Version of the Font Software may use the Reserved Font
Name(s) unless explicit written permission is granted by the corresponding
Copyright Holder. This restriction only applies to the primary font name as
presented to the users.

4) The name(s) of the Copyright Holder(s) or the Author(s) of the Font
Software shall not be used to promote, endorse or advertise any
Modified Version, except to acknowledge the contribution(s) of the
Copyright Holder(s) and the Author(s) or with their explicit written
permission.

5) The Font Software, modified or unmodified, in part or in whole,
must be distributed entirely under this license, and must not be
distributed under any other license. The requirement for fonts to
remain under this license does not apply to any document created
using the Font Software.

TERMINATION
This license becomes null and void if any of the above conditions are
not met.

DISCLAIMER
THE FONT SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND,
EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO ANY WARRANTIES OF
MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT
OF COPYRIGHT, PATENT, TRADEMARK, OR OTHER RIGHT. IN NO EVENT SHALL THE
COPYRIGHT HOLDER BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY,
INCLUDING ANY GENERAL, SPECIAL, INDIRECT, INCIDENTAL, OR CONSEQUENTIAL
DAMAGES, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING
FROM, OUT OF THE USE OR INABILITY TO USE THE FONT SOFTWARE OR FROM
OTHER DEALINGS IN THE FONT SOFTWARE.
 

 

 

reproduction intégrale des FAQ

 

OFL FAQ - Frequently Asked Questions about the SIL Open Font License (OFL)
Version 1.1 - 26 February 2007
(See http://scripts.sil.org/OFL for updates)


1  ABOUT USING AND DISTRIBUTING FONTS LICENSED UNDER THE OFL

1.1  Can I use the fonts in any publication, even embedded in the file?
Yes. You may use them like most other fonts, but unlike some fonts you may include an embedded subset of the fonts in your document. 
Such use does not require you to include this license or other files (listed in OFL condition 2), nor does it require any type of 
acknowledgement within the publication. Some mention of the font name within the publication information (such as in a colophon) 
is usually appreciated. If you wish to include the complete font as a separate file, you should distribute the full font package, 
including all existing acknowledgements, and comply with the OFL conditions. Of course, referencing or embedding an OFL font in any 
document does not change the license of the document itself. The requirement for fonts to remain under the OFL does not apply to any 
document created using the fonts and their derivatives. Similarly, creating any kind of graphic using a font under OFL does not make 
the resulting artwork subject to the OFL.

1.2  Can I make web pages using these fonts?
Yes! Go ahead! Using CSS (Cascading Style Sheets) is recommended.

1.3  Can I make the fonts available to others from my web site?
Yes, as long as you meet the conditions of the license (do not sell by itself, include the necessary files, rename Modified Versions, 
do not abuse the Author(s)' name(s) and do not sublicense).

1.4  Can the fonts be included with Free/Libre and Open Source Software collections such as GNU/Linux and BSD distributions?
Yes! Fonts licensed under the OFL can be freely aggregated with software under FLOSS (Free/Libre and Open Source Software) licenses. 
Since fonts are much more useful aggregated to than merged with existing software, possible incompatibility with existing software licenses
 is not a problem. You can also repackage the fonts and the accompanying components in a .rpm or .deb package and include them in distro CD/DVDs 
and online repositories.

1.5  I want to distribute the fonts with my program. Does this mean my program also has to be free and open source software?
No. Only the portions based on the font software are required to be released under the OFL. The intent of the license is to allow aggregation 
or bundling with software under restricted licensing as well.

1.6  Can I include the fonts on a CD of freeware or commercial fonts?
Yes, as long some other font or software is also on the disk, so the OFL font is not sold by itself.

1.7  Can I sell a software package that includes these fonts?
Yes, you can do this with both the Original Version and a Modified Version. Examples of bundling made possible by the OFL would include: word processors, 
design and publishing applications, training and educational software, edutainment software, etc.

1.8  Why won't the OFL let me sell the fonts alone?
The intent is to keep people from making money by simply redistributing the fonts. The only people who ought to profit directly from the fonts should be 
the original authors, and those authors have kindly given up potential direct income to distribute their fonts under the OFL. Please honor and respect their 
contribution!

1.9  I've come across a font released under the OFL. How can I easily get more information about the Original Version? How can I know where it stands 
compared to the Original Version or other Modified Versions?
Consult the copyright statement(s) in the license for ways to contact the original authors. Consult the FONTLOG for information on how the font differs
 from the Original Version, and get in touch with the various contributors via the information in the acknowledgment section. Please consider using the 
Original Versions of the fonts whenever possible.

1.10  What do you mean in condition 4? Can you provide examples of abusive promotion / endorsement / advertisement vs. normal acknowledgement?
The intent is that the goodwill and reputation of the author(s) should not be used in a way that makes it sound like the original author(s) endorse 
or approve of a specific Modified Version or software bundle. For example, it would not be right to advertise a word processor by naming the author(s)
 in a listing of software features, or to promote a Modified Version on a web site by saying "designed by ...". However, it would be appropriate to 
acknowledge the author(s) if your software package has a list of people who deserve thanks. We realize that this can seem to be a gray area, but the
 standard used to judge an acknowledgement is that if the acknowledgement benefits the author(s) it is allowed, but if it primarily benefits other 
parties, or could reflect poorly on the author(s), then it is not.


2  ABOUT MODIFYING OFL LICENSED FONTS

2.1  Can I change the fonts? Are there any limitations to what things I can and cannot change?
You are allowed to change anything, as long as such changes do not violate the terms of the license. In other words, you are not allowed to remove the 
copyright statement(s) from the font, but you could add additional information into it that covers your contribution.

2.2  I have a font that needs a few extra glyphs - can I take them from an OFL licensed font and copy them into mine?
Yes, but if you distribute that font to others it must be under the OFL, and include the information mentioned in condition 2 of the license.

2.3  Can I charge people for my additional work? In other words, if I add a bunch of special glyphs and/or OpenType/Graphite code, can I sell 
the enhanced font?
Not by itself. Derivative fonts must be released under the OFL and cannot be sold by themselves. It is permitted, however, to include them in a 
larger software package (such as text editors, office suites or operating systems), even if the larger package is sold. In that case, you are strongly 
encouraged, but not required, to also make that derived font easily and freely available outside of the larger package.

2.4  Can I pay someone to enhance the fonts for my use and distribution?
Yes. This is a good way to fund the further development of the fonts. Keep in mind, however, that if the font is distributed to others it must
 be under the OFL. You won't be able to recover your investment by exclusively selling the font, but you will be making a valuable contribution 
to the community. Please remember how you have benefitted from the contributions of others.

2.5  I need to make substantial revisions to the font to make it work with my program. It will be a lot of work, and a big investment, and I want 
to be sure that it can only be distributed with my program. Can I restrict its use?
No. If you redistribute a Modified Version of the font it must be under the OFL. You may not restrict it in any way. This is intended to ensure 
that all released improvements to the fonts become available to everyone. But you will likely get an edge over competitors by being the first 
to distribute a bundle with the enhancements. Again, please remember how you have benefitted from the contributions of others.

2.6  Do I have to make any derivative fonts (including source files, build scripts, documentation, etc.) publicly available?
No, but please do share your improvements with others. You may find that you receive more than what you gave in return.

2.7  Why can't I use the Reserved Font Name(s) in my derivative font names? I'd like people to know where the design came from.
The best way to acknowledge the source of the design is to thank the original authors and any other contributors in the files that are distributed 
with your revised font (although no acknowledgement is required). The FONTLOG is a natural place to do this. Reserved Font Name(s) ensure that the 
only fonts that have the original names are the unmodified Original Versions. This allows designers to maintain artistic integrity while allowing 
collaboration to happen. It eliminates potential confusion and name conflicts. When choosing a name be creative and avoid names that reuse almost
 all the same letters in the same order or sound like the original. Keep in mind that the Copyright Holder(s) can allow a specific trusted partner 
to use Reserved Font Name(s) through a separate written agreement.

2.8  What do you mean by "primary name as presented to the user"? Are you referring to the font menu name?
Yes, the requirement to change the visible name used to differentiate the font from others applies to the font menu name and other mechanisms to
 specify a font in a document. It would be fine, for example, to keep a text reference to the original fonts in the description field, in your
 modified source file or in documentation provided alongside your derivative as long as no one could be confused that your modified source is the
 original. But you cannot use the Reserved Font Names in any way to identify the font to the user (unless the Copyright Holder(s) allow(s) it 
through a separate agreement; see section 2.7). Users who install derivatives ("Modified Versions") on their systems should not see any of the
 original names ("Reserved Font Names") in their font menus, for example. Again, this is to ensure that users are not confused and do not mistake
 a font for another and so expect features only another derivative or the Original Version can actually offer. Ultimately, creating name conflicts 
will cause many problems for the users as well as for the designer of both the Original and Modified versions, so please think ahead and find a 
good name for your own derivative. Font substitution systems like fontconfig, or application-level font fallback configuration within OpenOffice.
org or Scribus, will also get very confused if the name of the font they are configured to substitute to actually refers to another physical font on
 the user's hard drive. It will help everyone if Original Versions and Modified Versions can easily be distinguished from one another and from 
other derivatives. The substitution mechanism itself is outside the scope of the license. Users can always manually change a font reference in a
 document or set up some kind of substitution at a higher level but at the lower level the fonts themselves have to respect the Reserved Font Name(s)
 requirement to prevent ambiguity. If a substitution is currently active the user should be aware of it.

2.9  Am I not allowed to use any part of the Reserved Font Names?
You may not use the words of the font names, but you would be allowed to use parts of words, as long as you do not use any word from the Reserved 
Font Names entirely. We do not recommend using parts of words because of potential confusion, but it is allowed. For example, if "Foobar" was a
 Reserved Font Name, you would be allowed to use "Foo" or "bar", although we would not recommend it. Such an unfortunate choice would confuse the 
users of your fonts as well as make it harder for other designers to contribute.

2.10  So what should I, as an author, identify as Reserved Font Names?
Original authors are encouraged to name their fonts using clear, distinct names, and only declare the unique parts of the name as Reserved Font
 Names. For example, the author of a font called "Foobar Sans" would declare "Foobar" as a Reserved Font Name, but not "Sans", as that is a
 common typographical term, and may be a useful word to use in a derivative font name. Reserved Font Names should also be single words. A font
 called "Flowing River" should have Reserved Font Names "Flowing" and "River", not "Flowing River".

2.11  Do I, as an author, have to identify any Reserved Font Names?
No, but we strongly encourage you to do so. This is to avoid confusion between your work and Modified versions. You may, however, give certain 
trusted parties the right to use any of your Reserved Font Names through separate written agreements. For example, even if "Foobar" is a RFN,
you could write up an agreement to give company "XYZ" the right to distribute a modified version with a name that includes "Foobar". This allows
 for freedom without confusion.

2.12  Are any names (such as the main font name) reserved by default?
No. That is a change to the license as of version 1.1. If you want any names to be Reserved Font Names, they must be specified after the copyright
 statement(s).

2.13  What is this FONTLOG thing exactly?
It has three purposes: 1) to provide basic information on the font to users and other developers, 2) to document changes that have been made to 
the font or accompanying files, either by the original authors or others, and 3) to provide a place to acknowledge the authors and other contributors. 
Please use it! See below for details on how changes should be noted.

2.14  Am I required to update the FONTLOG?
No, but users, designers and other developers might get very frustrated at you if you don't! People need to know how derivative fonts differ from 
the original, and how to take advantage of the changes, or build on them.


3  ABOUT THE FONTLOG

The FONTLOG can take a variety of formats, but should include these four sections:

3.1  FONTLOG for <FontFamilyName>
This file provides detailed information on the <FontFamilyName> font software. This information should be distributed along with the <FontFamilyName> 
fonts and any derivative works.

3.2  Basic Font Information
(Here is where you would describe the purpose and brief specifications for the font project, and where users can find more detailed documentation. 
It can also include references to how changes can be contributed back to the Original Version. You may also wish to include a short guide to the design, 
or a reference to such a document.)

3.3  ChangeLog
(This should list both major and minor changes, most recent first. Here are some examples:)

7 February 2007 (Pat Johnson) <NewFontFamilyName> Version 1.3
- Added Greek and Cyrillic glyphs
- Released as "<NewFontFamilyName>"

7 March 2006 (Fred Foobar) <NewFontFamilyName> Version 1.2
- Tweaked contextual behaviours
- Released as "<NewFontFamilyName>"

1 Feb 2005 (Jane Doe) <NewFontFamilyName> Version 1.1
- Improved build script performance and verbosity
- Extended the smart code documentation
- Corrected minor typos in the documentation
- Fixed position of combining inverted breve below (U+032F)
- Added OpenType/Graphite smart code for Armenian
- Added Armenian glyphs (U+0531 -> U+0587) 
- Released as "<NewFontFamilyName>"

1 Jan 2005 (Joe Smith) <FontFamilyName> Version 1.0
- Initial release of font "<FontFamilyName>"

3.4  Acknowledgements
(Here is where contributors can be acknowledged. 

If you make modifications be sure to add your name (N), email (E), web-address (W) and description (D). This list is sorted by last name in alphabetical order.)

N: Jane Doe
E: jane@university.edu
W: http://art.university.edu/projects/fonts
D: Contributor - Armenian glyphs and code

N: Fred Foobar
E: fred@foobar.org
W: http://foobar.org
D: Contributor - misc Graphite fixes

N: Pat Johnson
E: pat@fontstudio.org
W: http://pat.fontstudio.org
D: Designer - Greek & Cyrillic glyphs based on Roman design

N: Tom Parker
E: tom@company.com
W: http://www.company.com/tom/projects/fonts
D: Engineer - original smart font code

N: Joe Smith
E: joe@fontstudio.org
W: http://joe.fontstudio.org
D: Designer - original Roman glyphs

(Original authors can also include information here about their organization.)


4  ABOUT MAKING CONTRIBUTIONS

4.1  Why should I contribute my changes back to the original authors?
It would benefit many people if you contributed back to what you've received. Providing your contributions and improvements to the fonts and other 
components (data files, source code, build scripts, documentation, etc.) could be a tremendous help and would encourage others to contribute as well 
and 'give back', which means you will have an opportunity to benefit from other people's contributions as well. Sometimes maintaining your own 
separate version takes more effort than merging back with the original. Be aware that any contributions, however, must be either your own original
 creation or work that you own, and you may be asked to affirm that clearly when you contribute.

4.2  I've made some very nice improvements to the font, will you consider adopting them and putting them into future Original Versions?
Most authors would be very happy to receive such contributions. Keep in mind that it is unlikely that they would want to incorporate major changes 
that would require additional work on their end. Any contributions would likely need to be made for all the fonts in a family and match the overall design 
and style. Authors are encouraged to include a guide to the design with the fonts. It would also help to have contributions submitted as patches or
 clearly marked changes (the use of smart source revision control systems like subversion, svk or bzr is a good idea). Examples of useful contributions 
are bug fixes, additional glyphs, stylistic alternates (and the smart font code to access them) or improved hinting.

4.3  How can I financially support the development of OFL fonts?
It is likely that most authors of OFL fonts would accept financial contributions - contact them for instructions on how to do this. Such contributions 
would support future development. You can also pay for others to enhance the fonts and contribute the results back to the original authors for inclusion
 in the Original Version.


5  ABOUT THE LICENSE

5.1  I see that this is version 1.1 of the license. Will there be later changes?
Version 1.1 is the first minor revision of the OFL. We are confident that version 1.1 will meet most needs, but are open to future improvements. 
Any revisions would be for future font releases, and previously existing licenses would remain in effect. No retroactive changes are possible, 
although the Copyright Holder(s) can re-release the font under a revised OFL. All versions will be available on our web site: http://scripts.sil.org/OFL.

5.2  Can I use the SIL Open Font License for my own fonts?
Yes! We heartily encourage anyone to use the OFL to distribute their own original fonts. It is a carefully constructed license that allows great
 freedom along with enough artistic integrity protection for the work of the authors as well as clear rules for other contributors and those who 
redistribute the fonts. Some additional information about using the OFL is included at the end of this FAQ.

5.3  Does this license restrict the rights of the Copyright Holder(s)?
No. The Copyright Holder(s) still retain(s) all the rights to their creation; they are only releasing a portion of it for use in a specific way. 
For example, the Copyright Holder(s) may choose to release a 'basic' version of their font under the OFL, but sell a restricted 'enhanced' version. 
Only the Copyright Holder(s) can do this.

5.4 Is the OFL a contract or a license?
The OFL is a license and not a contract and so does not require you to sign it to have legal validity. By using, modifying and redistributing 
components under the OFL you indicate that you accept the license.

5.5 How about translating the license and the FAQ into other languages?
SIL certainly recognises the need for people who are not familiar with English to be able to understand the OFL and this FAQ better in their 
own language. Making the license very clear and readable is a key goal of the OFL.

If you are an experienced translator, you are very welcome to help by translating the OFL and its FAQ so that designers and users in your 
language community can understand the license better. But only the original English version of the license has legal value and has been approved 
by the community. Translations do not count as legal substitutes and should only serve as a way to explain the original license. SIL - as the author 
and steward of the license for the community at large - does not approve any translation of the OFL as legally valid because even small translation 
ambiguities could be abused and create problems.

We give permission to publish unofficial translations into other languages provided that they comply with the following guidelines:

- put the following disclaimer in both English and the target language stating clearly that the translation is unofficial:

"This is an unofficial translation of the SIL Open Font License into $language. It was not published by SIL International, and does not legally 
state the distribution terms for fonts that use the OFL. A release under the OFL is only valid when using the original English text.

However, we recognize that this unofficial translation will help users and designers not familiar with English to understand the SIL OFL better 
and make it easier to use and release font families under this collaborative font design model. We encourage designers who consider releasing their
 creation under the OFL to read the FAQ in their own language if it is available.
 
Please go to http://scripts.sil.org/OFL for the official version of the license and the accompanying FAQ."

- keep your unofficial translation current and update it at our request if needed, for example if there is any ambiguity which could lead to confusion.  

If you start such a unofficial translation effort of the OFL and its accompanying FAQ please let us know, thank you.


6  ABOUT SIL INTERNATIONAL

6.1  Who is SIL International and what does it do?
SIL International is a worldwide faith-based education and development organization (NGO) that studies, documents, and assists in developing 
the world's lesser-known languages through literacy, linguistics, translation, and other academic disciplines. SIL makes its services available
 to all without regard to religious belief, political ideology, gender, race, or ethnic background. SIL's members and volunteers share a Christian 
commitment.

6.2  What does this have to do with font licensing?
The ability to read, write, type and publish in one's own language is one of the most critical needs for millions of people around the world.
 This requires fonts that are widely available and support lesser-known languages. SIL develops - and encourages others to develop - a complete 
stack of writing systems implementation components available under open licenses. This open stack includes input methods, smart fonts, smart 
rendering libraries and smart applications. There has been a need for a common open license that is specifically applicable to fonts and related 
software (a crucial component of this stack) so SIL developed the SIL Open Font License with the help of the FLOSS community.

6.3  How can I contact SIL?
Our main web site is: http://www.sil.org/
Our site about complex scripts is: http://scripts.sil.org/
Information about this license (including contact email information) is at: http://scripts.sil.org/OFL


7  ABOUT USING THE OFL FOR YOUR ORIGINAL FONTS

If you want to release your fonts under the OFL, you only need to do the following:

7.1  Put your copyright and reserved font names information in the beginning of the main OFL file.
7.2  Put your copyright and the OFL references in your various font files (such as in the copyright, license and description fields) and in your
 other components (build scripts, glyph databases, documentation, rendering samples, etc).
7.3  Write an initial FONTLOG for your font and include it in the release package.
7.4  Include the OFL in your release package.
7.5  We also highly recommend you include the relevant practical documentation on the license by putting the OFL-FAQ in your package.
7.6  If you wish, you can use the OFL Graphics on your web page.

That's all. If you have any more questions please get in touch with us.

GNU

 

Cette licence semble plutôt s'appliquer à un logiciel entier qu'à une police, mais certains s'y réfèrent.. tout  à la fin je lis 

 

          GNU LESSER GENERAL PUBLIC LICENSE
               Version 2.1, February 1999

 Copyright (C) 1991, 1999 Free Software Foundation, Inc.
     59 Temple Place, Suite 330, Boston, MA  02111-1307  USA
 Everyone is permitted to copy and distribute verbatim copies
 of this license document, but changing it is not allowed.

[This is the first released version of the Lesser GPL.  It also counts
 as the successor of the GNU Library Public License, version 2, hence
 the version number 2.1.]

                Preamble

  The licenses for most software are designed to take away your
freedom to share and change it.  By contrast, the GNU General Public
Licenses are intended to guarantee your freedom to share and change
free software--to make sure the software is free for all its users.

  This license, the Lesser General Public License, applies to some
specially designated software packages--typically libraries--of the
Free Software Foundation and other authors who decide to use it.  You
can use it too, but we suggest you first think carefully about whether
this license or the ordinary General Public License is the better
strategy to use in any particular case, based on the explanations below.

  When we speak of free software, we are referring to freedom of use,
not price.  Our General Public Licenses are designed to make sure that
you have the freedom to distribute copies of free software (and charge
for this service if you wish); that you receive source code or can get
it if you want it; that you can change the software and use pieces of
it in new free programs; and that you are informed that you can do
these things.

  To protect your rights, we need to make restrictions that forbid
distributors to deny you these rights or to ask you to surrender these
rights.  These restrictions translate to certain responsibilities for
you if you distribute copies of the library or if you modify it.

  For example, if you distribute copies of the library, whether gratis
or for a fee, you must give the recipients all the rights that we gave
you.  You must make sure that they, too, receive or can get the source
code.  If you link other code with the library, you must provide
complete object files to the recipients, so that they can relink them
with the library after making changes to the library and recompiling
it.  And you must show them these terms so they know their rights.

  We protect your rights with a two-step method: (1) we copyright the
library, and (2) we offer you this license, which gives you legal
permission to copy, distribute and/or modify the library.

  To protect each distributor, we want to make it very clear that
there is no warranty for the free library.  Also, if the library is
modified by someone else and passed on, the recipients should know
that what they have is not the original version, so that the original
author's reputation will not be affected by problems that might be
introduced by others.

  Finally, software patents pose a constant threat to the existence of
any free program.  We wish to make sure that a company cannot
effectively restrict the users of a free program by obtaining a
restrictive license from a patent holder.  Therefore, we insist that
any patent license obtained for a version of the library must be
consistent with the full freedom of use specified in this license.

  Most GNU software, including some libraries, is covered by the
ordinary GNU General Public License.  This license, the GNU Lesser
General Public License, applies to certain designated libraries, and
is quite different from the ordinary General Public License.  We use
this license for certain libraries in order to permit linking those
libraries into non-free programs.

  When a program is linked with a library, whether statically or using
a shared library, the combination of the two is legally speaking a
combined work, a derivative of the original library.  The ordinary
General Public License therefore permits such linking only if the
entire combination fits its criteria of freedom.  The Lesser General
Public License permits more lax criteria for linking other code with
the library.

  We call this license the "Lesser" General Public License because it
does Less to protect the user's freedom than the ordinary General
Public License.  It also provides other free software developers Less
of an advantage over competing non-free programs.  These disadvantages
are the reason we use the ordinary General Public License for many
libraries.  However, the Lesser license provides advantages in certain
special circumstances.

  For example, on rare occasions, there may be a special need to
encourage the widest possible use of a certain library, so that it becomes
a de-facto standard.  To achieve this, non-free programs must be
allowed to use the library.  A more frequent case is that a free
library does the same job as widely used non-free libraries.  In this
case, there is little to gain by limiting the free library to free
software only, so we use the Lesser General Public License.

  In other cases, permission to use a particular library in non-free
programs enables a greater number of people to use a large body of
free software.  For example, permission to use the GNU C Library in
non-free programs enables many more people to use the whole GNU
operating system, as well as its variant, the GNU/Linux operating
system.

  Although the Lesser General Public License is Less protective of the
users' freedom, it does ensure that the user of a program that is
linked with the Library has the freedom and the wherewithal to run
that program using a modified version of the Library.

  The precise terms and conditions for copying, distribution and
modification follow.  Pay close attention to the difference between a
"work based on the library" and a "work that uses the library".  The
former contains code derived from the library, whereas the latter must
be combined with the library in order to run.

          GNU LESSER GENERAL PUBLIC LICENSE
   TERMS AND CONDITIONS FOR COPYING, DISTRIBUTION AND MODIFICATION

  0. This License Agreement applies to any software library or other
program which contains a notice placed by the copyright holder or
other authorized party saying it may be distributed under the terms of
this Lesser General Public License (also called "this License").
Each licensee is addressed as "you".

  A "library" means a collection of software functions and/or data
prepared so as to be conveniently linked with application programs
(which use some of those functions and data) to form executables.

  The "Library", below, refers to any such software library or work
which has been distributed under these terms.  A "work based on the
Library" means either the Library or any derivative work under
copyright law: that is to say, a work containing the Library or a
portion of it, either verbatim or with modifications and/or translated
straightforwardly into another language.  (Hereinafter, translation is
included without limitation in the term "modification".)

  "Source code" for a work means the preferred form of the work for
making modifications to it.  For a library, complete source code means
all the source code for all modules it contains, plus any associated
interface definition files, plus the scripts used to control compilation
and installation of the library.

  Activities other than copying, distribution and modification are not
covered by this License; they are outside its scope.  The act of
running a program using the Library is not restricted, and output from
such a program is covered only if its contents constitute a work based
on the Library (independent of the use of the Library in a tool for
writing it).  Whether that is true depends on what the Library does
and what the program that uses the Library does.
  
  1. You may copy and distribute verbatim copies of the Library's
complete source code as you receive it, in any medium, provided that
you conspicuously and appropriately publish on each copy an
appropriate copyright notice and disclaimer of warranty; keep intact
all the notices that refer to this License and to the absence of any
warranty; and distribute a copy of this License along with the
Library.

  You may charge a fee for the physical act of transferring a copy,
and you may at your option offer warranty protection in exchange for a
fee.

  2. You may modify your copy or copies of the Library or any portion
of it, thus forming a work based on the Library, and copy and
distribute such modifications or work under the terms of Section 1
above, provided that you also meet all of these conditions:

    a) The modified work must itself be a software library.

    b) You must cause the files modified to carry prominent notices
    stating that you changed the files and the date of any change.

    c) You must cause the whole of the work to be licensed at no
    charge to all third parties under the terms of this License.

    d) If a facility in the modified Library refers to a function or a
    table of data to be supplied by an application program that uses
    the facility, other than as an argument passed when the facility
    is invoked, then you must make a good faith effort to ensure that,
    in the event an application does not supply such function or
    table, the facility still operates, and performs whatever part of
    its purpose remains meaningful.

    (For example, a function in a library to compute square roots has
    a purpose that is entirely well-defined independent of the
    application.  Therefore, Subsection 2d requires that any
    application-supplied function or table used by this function must
    be optional: if the application does not supply it, the square
    root function must still compute square roots.)

These requirements apply to the modified work as a whole.  If
identifiable sections of that work are not derived from the Library,
and can be reasonably considered independent and separate works in
themselves, then this License, and its terms, do not apply to those
sections when you distribute them as separate works.  But when you
distribute the same sections as part of a whole which is a work based
on the Library, the distribution of the whole must be on the terms of
this License, whose permissions for other licensees extend to the
entire whole, and thus to each and every part regardless of who wrote
it.

Thus, it is not the intent of this section to claim rights or contest
your rights to work written entirely by you; rather, the intent is to
exercise the right to control the distribution of derivative or
collective works based on the Library.

In addition, mere aggregation of another work not based on the Library
with the Library (or with a work based on the Library) on a volume of
a storage or distribution medium does not bring the other work under
the scope of this License.

  3. You may opt to apply the terms of the ordinary GNU General Public
License instead of this License to a given copy of the Library.  To do
this, you must alter all the notices that refer to this License, so
that they refer to the ordinary GNU General Public License, version 2,
instead of to this License.  (If a newer version than version 2 of the
ordinary GNU General Public License has appeared, then you can specify
that version instead if you wish.)  Do not make any other change in
these notices.

  Once this change is made in a given copy, it is irreversible for
that copy, so the ordinary GNU General Public License applies to all
subsequent copies and derivative works made from that copy.

  This option is useful when you wish to copy part of the code of
the Library into a program that is not a library.

  4. You may copy and distribute the Library (or a portion or
derivative of it, under Section 2) in object code or executable form
under the terms of Sections 1 and 2 above provided that you accompany
it with the complete corresponding machine-readable source code, which
must be distributed under the terms of Sections 1 and 2 above on a
medium customarily used for software interchange.

  If distribution of object code is made by offering access to copy
from a designated place, then offering equivalent access to copy the
source code from the same place satisfies the requirement to
distribute the source code, even though third parties are not
compelled to copy the source along with the object code.

  5. A program that contains no derivative of any portion of the
Library, but is designed to work with the Library by being compiled or
linked with it, is called a "work that uses the Library".  Such a
work, in isolation, is not a derivative work of the Library, and
therefore falls outside the scope of this License.

  However, linking a "work that uses the Library" with the Library
creates an executable that is a derivative of the Library (because it
contains portions of the Library), rather than a "work that uses the
library".  The executable is therefore covered by this License.
Section 6 states terms for distribution of such executables.

  When a "work that uses the Library" uses material from a header file
that is part of the Library, the object code for the work may be a
derivative work of the Library even though the source code is not.
Whether this is true is especially significant if the work can be
linked without the Library, or if the work is itself a library.  The
threshold for this to be true is not precisely defined by law.

  If such an object file uses only numerical parameters, data
structure layouts and accessors, and small macros and small inline
functions (ten lines or less in length), then the use of the object
file is unrestricted, regardless of whether it is legally a derivative
work.  (Executables containing this object code plus portions of the
Library will still fall under Section 6.)

  Otherwise, if the work is a derivative of the Library, you may
distribute the object code for the work under the terms of Section 6.
Any executables containing that work also fall under Section 6,
whether or not they are linked directly with the Library itself.

  6. As an exception to the Sections above, you may also combine or
link a "work that uses the Library" with the Library to produce a
work containing portions of the Library, and distribute that work
under terms of your choice, provided that the terms permit
modification of the work for the customer's own use and reverse
engineering for debugging such modifications.

  You must give prominent notice with each copy of the work that the
Library is used in it and that the Library and its use are covered by
this License.  You must supply a copy of this License.  If the work
during execution displays copyright notices, you must include the
copyright notice for the Library among them, as well as a reference
directing the user to the copy of this License.  Also, you must do one
of these things:

    a) Accompany the work with the complete corresponding
    machine-readable source code for the Library including whatever
    changes were used in the work (which must be distributed under
    Sections 1 and 2 above); and, if the work is an executable linked
    with the Library, with the complete machine-readable "work that
    uses the Library", as object code and/or source code, so that the
    user can modify the Library and then relink to produce a modified
    executable containing the modified Library.  (It is understood
    that the user who changes the contents of definitions files in the
    Library will not necessarily be able to recompile the application
    to use the modified definitions.)

    b) Use a suitable shared library mechanism for linking with the
    Library.  A suitable mechanism is one that (1) uses at run time a
    copy of the library already present on the user's computer system,
    rather than copying library functions into the executable, and (2)
    will operate properly with a modified version of the library, if
    the user installs one, as long as the modified version is
    interface-compatible with the version that the work was made with.

    c) Accompany the work with a written offer, valid for at
    least three years, to give the same user the materials
    specified in Subsection 6a, above, for a charge no more
    than the cost of performing this distribution.

    d) If distribution of the work is made by offering access to copy
    from a designated place, offer equivalent access to copy the above
    specified materials from the same place.

    e) Verify that the user has already received a copy of these
    materials or that you have already sent this user a copy.

  For an executable, the required form of the "work that uses the
Library" must include any data and utility programs needed for
reproducing the executable from it.  However, as a special exception,
the materials to be distributed need not include anything that is
normally distributed (in either source or binary form) with the major
components (compiler, kernel, and so on) of the operating system on
which the executable runs, unless that component itself accompanies
the executable.

  It may happen that this requirement contradicts the license
restrictions of other proprietary libraries that do not normally
accompany the operating system.  Such a contradiction means you cannot
use both them and the Library together in an executable that you
distribute.

  7. You may place library facilities that are a work based on the
Library side-by-side in a single library together with other library
facilities not covered by this License, and distribute such a combined
library, provided that the separate distribution of the work based on
the Library and of the other library facilities is otherwise
permitted, and provided that you do these two things:

    a) Accompany the combined library with a copy of the same work
    based on the Library, uncombined with any other library
    facilities.  This must be distributed under the terms of the
    Sections above.

    b) Give prominent notice with the combined library of the fact
    that part of it is a work based on the Library, and explaining
    where to find the accompanying uncombined form of the same work.

  8. You may not copy, modify, sublicense, link with, or distribute
the Library except as expressly provided under this License.  Any
attempt otherwise to copy, modify, sublicense, link with, or
distribute the Library is void, and will automatically terminate your
rights under this License.  However, parties who have received copies,
or rights, from you under this License will not have their licenses
terminated so long as such parties remain in full compliance.

  9. You are not required to accept this License, since you have not
signed it.  However, nothing else grants you permission to modify or
distribute the Library or its derivative works.  These actions are
prohibited by law if you do not accept this License.  Therefore, by
modifying or distributing the Library (or any work based on the
Library), you indicate your acceptance of this License to do so, and
all its terms and conditions for copying, distributing or modifying
the Library or works based on it.

  10. Each time you redistribute the Library (or any work based on the
Library), the recipient automatically receives a license from the
original licensor to copy, distribute, link with or modify the Library
subject to these terms and conditions.  You may not impose any further
restrictions on the recipients' exercise of the rights granted herein.
You are not responsible for enforcing compliance by third parties with
this License.

  11. If, as a consequence of a court judgment or allegation of patent
infringement or for any other reason (not limited to patent issues),
conditions are imposed on you (whether by court order, agreement or
otherwise) that contradict the conditions of this License, they do not
excuse you from the conditions of this License.  If you cannot
distribute so as to satisfy simultaneously your obligations under this
License and any other pertinent obligations, then as a consequence you
may not distribute the Library at all.  For example, if a patent
license would not permit royalty-free redistribution of the Library by
all those who receive copies directly or indirectly through you, then
the only way you could satisfy both it and this License would be to
refrain entirely from distribution of the Library.

If any portion of this section is held invalid or unenforceable under any
particular circumstance, the balance of the section is intended to apply,
and the section as a whole is intended to apply in other circumstances.

It is not the purpose of this section to induce you to infringe any
patents or other property right claims or to contest validity of any
such claims; this section has the sole purpose of protecting the
integrity of the free software distribution system which is
implemented by public license practices.  Many people have made
generous contributions to the wide range of software distributed
through that system in reliance on consistent application of that
system; it is up to the author/donor to decide if he or she is willing
to distribute software through any other system and a licensee cannot
impose that choice.

This section is intended to make thoroughly clear what is believed to
be a consequence of the rest of this License.

  12. If the distribution and/or use of the Library is restricted in
certain countries either by patents or by copyrighted interfaces, the
original copyright holder who places the Library under this License may add
an explicit geographical distribution limitation excluding those countries,
so that distribution is permitted only in or among countries not thus
excluded.  In such case, this License incorporates the limitation as if
written in the body of this License.

  13. The Free Software Foundation may publish revised and/or new
versions of the Lesser General Public License from time to time.
Such new versions will be similar in spirit to the present version,
but may differ in detail to address new problems or concerns.

Each version is given a distinguishing version number.  If the Library
specifies a version number of this License which applies to it and
"any later version", you have the option of following the terms and
conditions either of that version or of any later version published by
the Free Software Foundation.  If the Library does not specify a
license version number, you may choose any version ever published by
the Free Software Foundation.

  14. If you wish to incorporate parts of the Library into other free
programs whose distribution conditions are incompatible with these,
write to the author to ask for permission.  For software which is
copyrighted by the Free Software Foundation, write to the Free
Software Foundation; we sometimes make exceptions for this.  Our
decision will be guided by the two goals of preserving the free status
of all derivatives of our free software and of promoting the sharing
and reuse of software generally.

                NO WARRANTY

  15. BECAUSE THE LIBRARY IS LICENSED FREE OF CHARGE, THERE IS NO
WARRANTY FOR THE LIBRARY, TO THE EXTENT PERMITTED BY APPLICABLE LAW.
EXCEPT WHEN OTHERWISE STATED IN WRITING THE COPYRIGHT HOLDERS AND/OR
OTHER PARTIES PROVIDE THE LIBRARY "AS IS" WITHOUT WARRANTY OF ANY
KIND, EITHER EXPRESSED OR IMPLIED, INCLUDING, BUT NOT LIMITED TO, THE
IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR
PURPOSE.  THE ENTIRE RISK AS TO THE QUALITY AND PERFORMANCE OF THE
LIBRARY IS WITH YOU.  SHOULD THE LIBRARY PROVE DEFECTIVE, YOU ASSUME
THE COST OF ALL NECESSARY SERVICING, REPAIR OR CORRECTION.

  16. IN NO EVENT UNLESS REQUIRED BY APPLICABLE LAW OR AGREED TO IN
WRITING WILL ANY COPYRIGHT HOLDER, OR ANY OTHER PARTY WHO MAY MODIFY
AND/OR REDISTRIBUTE THE LIBRARY AS PERMITTED ABOVE, BE LIABLE TO YOU
FOR DAMAGES, INCLUDING ANY GENERAL, SPECIAL, INCIDENTAL OR
CONSEQUENTIAL DAMAGES ARISING OUT OF THE USE OR INABILITY TO USE THE
LIBRARY (INCLUDING BUT NOT LIMITED TO LOSS OF DATA OR DATA BEING
RENDERED INACCURATE OR LOSSES SUSTAINED BY YOU OR THIRD PARTIES OR A
FAILURE OF THE LIBRARY TO OPERATE WITH ANY OTHER SOFTWARE), EVEN IF
SUCH HOLDER OR OTHER PARTY HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH
DAMAGES.

             END OF TERMS AND CONDITIONS

           How to Apply These Terms to Your New Libraries

  If you develop a new library, and you want it to be of the greatest
possible use to the public, we recommend making it free software that
everyone can redistribute and change.  You can do so by permitting
redistribution under these terms (or, alternatively, under the terms of the
ordinary General Public License).

  To apply these terms, attach the following notices to the library.  It is
safest to attach them to the start of each source file to most effectively
convey the exclusion of warranty; and each file should have at least the
"copyright" line and a pointer to where the full notice is found.

    <one line to give the library's name and a brief idea of what it does.>
    Copyright (C) <year>  <name of author>

    This library is free software; you can redistribute it and/or
    modify it under the terms of the GNU Lesser General Public
    License as published by the Free Software Foundation; either
    version 2.1 of the License, or (at your option) any later version.

    This library is distributed in the hope that it will be useful,
    but WITHOUT ANY WARRANTY; without even the implied warranty of
    MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE.  See the GNU
    Lesser General Public License for more details.

    You should have received a copy of the GNU Lesser General Public
    License along with this library; if not, write to the Free Software
    Foundation, Inc., 59 Temple Place, Suite 330, Boston, MA  02111-1307  USA

Also add information on how to contact you by electronic and paper mail.

You should also get your employer (if you work as a programmer) or your
school, if any, to sign a "copyright disclaimer" for the library, if
necessary.  Here is a sample; alter the names:

  Yoyodyne, Inc., hereby disclaims all copyright interest in the
  library `Frob' (a library for tweaking knobs) written by James Random Hacker.

  <signature of Ty Coon>, 1 April 1990
  Ty Coon, President of Vice

That's all there is to it!


 

Voir les commentaires

Rédigé par monik

Repost0

Publié le 31 Décembre 2008

le calendrier  (ce lien, c'est plutot pour mon usage personnel, pour savoir où ranger mes pages... mais vous avez quand même le droit d'y aller !)

For information in English, click here

En Español, la información esta aquí

 ****

Embarquement direct pour la Bretagne ? c'est ICI ...

Si vous préférez nos amis les animaux,  c'est LA

sinon, voici quelques mots sur mon blog :

 ****

Bonjour,

Avant tout, et même si cela n'a rien à voir avec le scrap, je vous annonce la création de son propre site par ma fille ; elle y évoque ses débuts dans l'Education Nationale (en France) comme "contractuelle" (profs non titulaires, mais seulement "sous contrat") ; si vous-même ou l'un de vos enfants ou proche êtes tentés par ce métier, voici son adressse :  Gaëllinacée.

Ici vous trouverez beaucoup de choses pour le scrap digital :  maquettes, masques et idées de toutes sortes . Je vous propose des maquettes prêtes à l’emploi avec Studio Scrap, et occasionnellement des masques en format PNG utilisables avec d'autres logiciels

J'espère qu'elles vous seront utiles ... Passionnée (c'est un mot faible !) de scrap digital, j'ai récréé des maquettes inspirées de la méthode Azza que j'utilisais avant, en scrap manuel, pour Studio Scrap. Je n’ai pas une imagination aussi débordante qu’il n’y parait, je me suis inspirée de mes pages personnelles, mais aussi de pages vues ici ou là, sur des forums ou des catalogues. Le scraplift (la reproduction d’une composition avec ses propres photos) se veut avant tout un hommage au créateur initial. Chaque fois que possible, il sera cité ici, et je lui envoie un message afin de retirer les pages scrapliftées de ce blog, s’il le souhaite. Je n’ai pas toujours obtenu le nom ou l’adresse mail nécessaire, donc si vous trouvez ici une maquette qui ressemble à votre page, n’hésitez pas à me le signaler pour que je rajoute un lien vers vous… (ou que je retire ma page).

J'ai ajouté des maquettes pour Studio Scrap, ainsi que des masques en format PNG pour d'autres logiciels, et quelques explications techniques (les miennes, et les liens vers d'autres blogs). Elles sont gratuites, pour votre usage personnel. J’ai créé ce blog en aout 2013 et pour faciliter le parcours entre les pages, j’ai décidé d’utiliser le calendrier sur une base un peu plus large

Sans prétention : ce n'est pas une grande galerie de voyage, ni même de photos, mais simplement une invitation au scrap au travers de courtes promenades. Je laisserai les nouvelles pages quelques jours en tête de ce blog, puis je les intégrerai par thème aux pages des mois écoulés. Cliquez à volonté sur les liens en bleu dans le texte, pour découvrir ce qui s'y cache !

Lorsque je réponds directement à une question reçue, j'utilise le tutoiement. L'information peut-être utilisée par tous, même si nous ne nous connaissons pas !

 

pour démarrer tout simplement  avec Studio Scrap, c'est par ICI

mes petites astuces tricot / couture  c'est par LA 

le coin lecture (sans prétention), ICI

et mes bonnes adresses pour des escapades, par LA 

Voir les commentaires

Rédigé par monik

Publié dans #PLAN DU SITE

Repost0